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The Evolution of the California Stock Saddle

The Evolution of the California Stock Saddle

Opening Reception April 8th, 4-6 p.m. The Western saddle was not only a tool of the cowboy and vaquero but a status symbol.  A tooled saddle, a new hat and fancy boots with a decorated shaft were important to the hardy cowboys after a long 

Museum Exhibits

Museum Exhibits

The Museum has a number of fascinating and ongoing exhibits that spotlight the various valley community histories as well as the permanent, wheeled vehicle exhibit in the Parks-Janeway Carriage House. Interspersed throughout the year are curated exhibits specific to the valley and it’s people and 

JN Swanson Paintings

JN Swanson Paintings

J.N. Swanson
1927 – 2014

Greeting the Hide Ship

Jack Swanson was born in 1927 in Duluth, Minnesota to Margaret and Leonard Swanson. The family moved frequently during the Great Depression, and in 1942 came to Oakland, California. Teen-aged Jack headed south to work on at the Dry Creek Ranch, 10,000 acres of rolling San Joaquin rangeland. The owner, 90-year old I.L Borden was a rawhide-classic, impeccably dressed, with a black patch over one eye. “We got nothing but horses here son, and we could use some help,” he told Jack. The young Swanson soaked up the experience like a sponge. In 1944, he turned seventeen and the Second World War had taken many of the young men who worked the ranches so he was able to find work. His feeling of freedom was overwhelming. It was at a time when a cowboy could still ride almost anywhere in California and he took jobs across the Mojave and up into the Tehachapis. The old vaqueros he met along the way were happy to find someone able and willing to work.

It was a magic period for the young cowboy. It was about this time when he met a vaquero that would change his life. Frank Martinez was head “horse breaker” with the huge Miller & Lux Ranch at their horse camp near Buttonwillow in the lower San Joaquin. Martinez would teach the young cowboy much and that time with the old vaquero was, in Jack’s words, “Unforgettable and priceless.”

When Jack left the Tehachapis and made the long ride home horseback across the state, he had already signed up for the Navy. He was stationed on hospital ships until his enlistment was up, and after the war, attended the California College of Arts and Crafts on the G.I. Bill. Jack knew exactly what he wanted out of an art school, and didn’t find it there. He hit the road with his horse Amigo and made some money running match races with the fleet footed quarter horse. They rode into Carmel in 1949, where he and Amigo shared a stall at the Hodges stable near the Carmel Mission.

Jack Swanson in his studio

He was soon discovered by Carmel icon Lloyd Tevis and his man Friday, Major Morgan. The two taught the young man the pleasures of a well-told story, strong whiskey, and freshly baked bread. Donald Teague, Armin Hanson, John O’Shea and a cadre of early California artists invited him into their studios and homes to swap stories long in the night. Jack enrolled in the small Carmel Art Institute, and it was there that he met and soon married his wife Sally, giving her his horse when he proposed to ensure a yes. The couple soon became a part of the Carmel art scene, becoming lifelong friends with artists Steve Crouch, Eldon Dedini, Gus Ariola, Ann and Gene Baker, Frank and Betty O’Neal, Feg Murray and many others. In 1956 Jack and Sally bought land from Ann and Fred Nason in Cachagua, and built what would become Whiffletree Ranch, trading paintings for lumber and building the ranch themselves. Jack’s reputation as an artist who depicted the vaqueros of the Pacific Slope grew. His subject rode from the vast rangelands of Nevada and eastern Oregon to the pastoral oak-covered hills of California, and in 1967, Jack became one of the first members of the prestigious Cowboy Artists of America. His work has been exhibited in major museums, the California Governors mansion, the White House, and is a part of numerous private and corporate collections.

The Golden Age of California: Women’s City Fashions of the 1890’s

The Golden Age of California: Women’s City Fashions of the 1890’s

Jeanette Lyons Gallery In the 1890s San Francisco was known as the “Golden City of the West.” San Francisco’s success and wealth during the last decade of the 19th Century meant garments became more than practical necessities. Fashion was alive and well in the City 

SAMURAI…The Warrior Horsemen of Japan

SAMURAI…The Warrior Horsemen of Japan

For eight centuries, the Samurai were an honored part of Japanese society. Pledging their lives to the protection and service of the ruling Shoguns, the Samurais were among the most skilled and disciplined warriors of all time. The Santa Ynez Valley Historical Museum brings a 

Tribute to Willy Chamberlin

Tribute to Willy Chamberlin

Willy Chamberlin is being honored with an exhibition celebrating his life opening November 13 at the Santa Ynez Valley Historical Museum.

Chamberlin, a storied Santa Ynez Valley cattleman, died in July at the age of 75.

Chamberlin served as Santa Barbara County’s 3rd District Supervisor in 1993, spent many years as a member of the Santa Ynez Valley Airport Authority, and was a prominent member of Rancheros Visitadores.

But mostly, Chamberlin was known as a rancher who was a staunch supporter of agricultural land preservation.

“Dressed to Impress”

“Dressed to Impress”

Since mankind’s first forays into body covering there has been an unspoken desire to impress each other. With whatever we wore there has always been that inner question “How do I look in this? What are people going to think about me?” At no time 

“THE WEST ON WOOD”

“THE WEST ON WOOD”

An Exhibit of Unique Art Designs on Wood by Paul Burtness The folk art of burnishing art on to beautifully sanded wood has been a hobby of local resident and retired realtor, Paul Burtness, for the past decade.  Paul has created hundreds of art designs 

“MOURNING GLORY”

“MOURNING GLORY”

Today, the feeling of grief and the period of mourning after the loss of a loved one, especially a spouse, is a personal choice. This was not always the case as less than 100 years ago mourning for women was a rigid, ritualized, very visual production. From the first moment of widowhood every aspect of a women’s life was controlled by “proper behavior.”

close up of Mourning dress

This unique exhibit of historic “mourning” clothing is a rare look at what the women of the 19th Century were destined to wear to announce their grieving to the world.

Join the Museum for this special Exhibit for a look at how early America mourned its dearly departed.

“IF THE SHOE FITS”

“IF THE SHOE FITS”

The Costume Council presents the history and variety of styles of shoes. This fascinating exhibit chronicles the rise of shoe fashion and style over the centuries with a huge variety of historic shoes on display. The exhibit includes shoes from a variety of private and